ÏÉ ÔÁÉÍÉÅÓ ÔÏÕ ALEJANDRO JODOROWSKY
ALEJANDRO JODOROWSKY
ÁÐÏ ÔÏÍ M. HULOT
Óôá 16 ôïõ Üñ÷éóå íá äçìïóéåýåé ðïßçóç êáé íá áó÷ïëåßôáé ìå ôéò ìáñéïíÝôåò, óôá 18 ßäñõóå ôï Teatro Mimico, óôá 24 Ýãñáøå ôï ðñþôï èåáôñéêü ôïõ, ôï El Minotauro, ôï 1957 ãýñéóå ôçí ðñþôç ôïõ ôáéíßá La Cravate, ìéá ðñïóáñìïãÞ óôï The Transposed Heads ôïõ Thomas Mann – A Legend Of India in Paris, ôï ïðïßï Þôáí ÷áìÝíï ãéá 50 ïëüêëçñá ÷ñüíéá (áíáêáëýöèçêå ôï 2006 óå ìéá óïößôá óôç Ãåñìáíßá). Ï Jodorowsky, åêôüò áðü üëá ôá ðáñáðÜíù, Þôáí äçìéïõñãüò êüìéî, øõ÷ïèåñáðåõôÞò, çèïðïéüò, ÷áñôïìÜíôçò, óõíèÝôçò, ï äçìéïõñãüò ìåñéêþí áðü ôéò ðéï ðñïêëçôéêÝò êáé áìöéëåãüìåíåò ôáéíßåò óôçí éóôïñßá ôïõ óéíåìÜ. Óôï óõãêåêñéìÝíï box, åêôüò áðü ôçí 35ëåðôç âïõâÞ ôáéíßá La Cravate, ðåñéÝ÷ïíôáé ïé ôñåéò óçìáíôéêüôåñåò ôáéíßåò ôïõ ôùí ’60s êáé ’70s: ôá Fando Y Lis (1968), ôï cult ãïõÝóôåñí (ôáéíßá-óôáèìüò óôç öñåíßôéäá ôùí ìåôáìåóïíýêôéùí ôáéíéþí ôùí ’70s) El Topo (1970), êáé ôï öéëì ðïõ óêáíäÜëéóå óôéò ÊÜíåò ôïõ 1973, ôï The Holy Mountain. ÃåìÜôåò óõìâïëéóìïýò, ìå åðéêñéôéêÝò áíáöïñÝò óôç èñçóêåßá êáé óôá óýìâïëÜ ôçò, óêëçñÝò åéêüíåò êáé Ýíôïíç âßá, ïé ôáéíßåò ôïõ Jodorowsky ðáñáìÝíïõí ôï ßäéï ðñïêëçôéêÝò 40 ÷ñüíéá ìåôÜ, óçìåßá áíáöïñÜò ãéá ôç ãåíéÜ ôùí ÷ßðéò êáé ôï avant-garde åõñùðáúêü óíåìÜ. Ôçí Ýêäïóç óõíïäåýïõí ôá óÜïõíôñáê ãéá ôï El Topo êáé ôï Holy Mountain, Ýíá 90ëåðôï íôïêéìáíôÝñ ãéá ôç æùÞ ôïõ Jodorowsky, óõíÝíôåõîç ìå ôï óêçíïèÝôç êáé ó÷ïëéáóìüò.
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